Tag: Interviews

Interview: Lyn Bowtell of BBU

7E2D6F5D-372D-497D-B058-324CB1F98A41.jpegElsewhere on this site I have written about the extraordinary Lyn Bowtell, who is one of our finest solo artists and one of my favourite country music artists. When, in 2015, I read that she would be playing at the Tamworth Country Music Festival with another of my favourite artists, Felicity Urquhart, and with Kevin Bennett from renowned band The Flood, I thought it might have been a dream: how, in reality, could these three wonderful singers have decided to join together? That show, ‘Country Heart and Soul’, was the beginning of the group that became Bennett Bowtell & Urquhart, or BBU. In 2016 BBU released their debut eponymous album and in 2017 won two Golden Guitars for it. This September they  released their second album, Weeds. The band doesn’t play many shows, given the schedules of its members individual careers (Urquhart also hosts ABC Radio’s ‘Saturday Night Country‘), so if you have the chance to see them, you must. It is, without fail, an evening of world-class music from three of our best singers and performers.

Recently I had the privilege of speaking to Lyn Bowtell about the formation of BBU and their latest album.

Congratulations on the new album because it’s just wonderful, as I knew it would be, and as the last album was too. And, so when did you individually or the three of you start writing for it?

Well, I was trying to work this out before, and I think I told a furphy, and I said it was March but that’s not true. We actually started writing end of last year. We really wanted to have a go at writing it all ourselves this time. The first album, we were incredibly proud of that, but it was kind of one of those things, we said we’re going to do this now and we made the decision and it happened incredibly fast, and there were some great tracks on there but they weren’t our own that we just adore singing and love doing, and exactly the same thing happened this time. We looked for other material outside of our own writing pool, because I think sometimes artists miss the point, and they’re always trying to record their own songs, but they’re not always the right choice. So we were looking outside of that, outside of ourselves, but we did start writing early on together.

The way that works is, one of us will bring an idea to the table. So when we get together, we plan to write three songs within the space of a day. We bring an idea each. And it doesn’t always end up that way. Sometimes we’ll have two and a half songs or one song, you just don’t know. Songs don’t always stick to a schedule, but the idea is we bring a song each, an idea each that we could, as KB [Kevin Bennett] puts it, we could have easily finished at home but when we write it together, it definitely ends up having its own life. Because of iPhones being so incredible these days, with your voice memos on them, I was going through voice memos the other day and listening to the way I had originally written these songs, some of the tunes that I’d brought the ideas for, and some of it is exactly as I first wrote it – like, one verse is exactly the same – and then the chorus just goes completely opposite direction and has an amazing life to it now that it would never have had I been writing that by myself.

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Gord Bamford joins the Wolfe pack

5a56674388af2300013aea8a_Neon-Smoke_Square_v3.jpgAustralian-born Canadian country music artist Gord Bamford is back in Australia and joining the Wolfe Brothers and Jody Direen on the Wolfes’ Country Heart tour, in support of his latest album, Neon Smoke. Bamford has won more Canadian Country Music Awards than Shania Twain, and his fan base in Australia grows with each visit. I spoke to him not long before he kicked off his latest visit to Australia at the Deniliquin Ute Muster.

You’re coming to Australia for the Deni Ute Muster and then you’re going on tour, and you taking the Wolfe Brothers with you and Jody Direen. This is obviously now a long association with the Wolfes – what are they like as touring buddies?

Oh, they’re great.  They’re just very positive guys and just great people to hang around. Obviously we know how talented they are, so I just feel really lucky to be able to kind of ride on their backs and into their fan base and be with them. Lee [Kernaghan] has been really good to me, and we’re going to try and get the Wolfe Brothers over to Canada too, to return the favour. That’s the thing, you just never know what’s going to happen.  We’re not genies in a bottle, but if we can put each other in front of a fan base, give each other an opportunity to play our music, and you just never know, it’s been really good for me in Australia.

I know you brought your own band last time, but when you come out this time, are the Wolfes going to act as your band or will have your band with you?

I’m actually bringing my band again this time. [Manager] Steve [White] has been looking around, this will be the last time I do bring my band.  I feel it’s important to use musicians that are Aussies, so we’re going to hire our own band in Australia, because I’m going to be coming back there a lot and I really want to dedicate my time in that market. And obviously I was born there, and have a lot of family there, and I want my family to come over and experience it some more.  But this time, our band is coming from Canada and it will be great, it will be fun.

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Interview: Beccy Cole

unnamed-3My conversion to Australian country music came about because of the song ‘Lazy Bones’ by Beccy Cole. It was so smart and funny, and performed so well, that I couldn’t believe I hadn’t already heard it. That was before I understood how country music is so often not played on major radio stations and that, despite its large and loyal audience, it’s not considered as important to our national culture as some other forms of music. That latter element is a big part of the reason why I started writing about it – and so was ‘Lazy Bones’. That song and other country songs like it deserve to be known by as many people as possible, because the quality of this music is good. And Beccy Cole as an artist has few peers. Her live performances are legendary, her albums always a collection of songs that are heartfelt and entertaining, and sometimes just raucously good fun. There’s actually not an artist like her in the whole land. Which is why it was a huge honour to interview her recently about her new album, Lioness, which has all her fantastic hallmarks and also brings something new.

I’ve been lucky to listen to an early copy of the album, which has been a thrill because you have long been one of my favourite country music artists. Congratulations – it’s wonderful. Your fans will be very happy.

Thank you. I hope so. It’s definitely an album that I wanted to make so all I can do is hope that they like it.

This album has all women working on it, and I was really pleased to see you had a female producer working on it – there is a noticeable lack of female producers. Catherine Britt has been doing some producing but I’m really struggling to think of other producers working in country music who aren’t men. You had Julz Parker producing this – how did that come about?

I wanted it to be a 100 per cent female project. I love the sound that Julz gets for the Hussy Hicks and some other projects that she’s done, and I just think she’s awesome. She gets me. She’s got a very similar sense of humour – we always get along really well whenever we’re touring and doing shows. I get the Hussy Hicks whenever I can. They’re overseas a lot. Whenever they’re around they look up my tour dates and say, ‘Hey -can we do those six you’ve got coming up in Queensland?’ and I say, ‘Yeah!’ [laughs] But they’re just really cool to hang out with and I knew that Julz got my music and understood me. I didn’t really have any doubt. When we were choosing people to mix the album we sent away ‘Lioness’ and got about six mixes back and I had to choose which one I liked, and I said, ‘I like number three’, and Julz said, ‘That’s my mix.’ I thought, Yay!I love the fact that it’s an all-female album as far as the players on it go. There are nine girls on it.

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Interview: Graeme Connors

301019.jpgQueensland singer-songwriter Graeme Connors has a new album, from the backcountry, which is a superb addition to his extensive catalogue that includes North, and the 2016 compilation 60 Summers: The Ultimate Collection, which reached #1 on the ARIA Country Album Chart. While from the backcountry is his first album of new songs in seven years, when I spoke to him recently it became clear that he has been busy in the interim. It’s also clear that he is as articulate in an interview as he is in his lyrics: a natural storyteller who has a talent for, and has worked hard at, connecting with his audience.

 

You’ve just released your first album in seven years – how long have you been writing for it?

To be honest, I only started seriously writing in February this year, after Tamworth. There had obviously been an accumulation of ideas over that seven-year period. I’m the sort of person that jots stuff down if there’s an idea or whatever it happens to be. But I just got a bit sidetracked in that period with so many other projects. We did Kindred Spirit, which was the tribute album to other Australian songwriters. Then we did North 25 Years On, which was a remix and remaster. Then we did the double DVD Concert to Camera, which reflected the touring band and the touring that I’d been doing. And then, of course, it came round to 60 Summers [a double CD collection]. So there was almost one a year in that gap between. And I got to January this year and did Tamworth, and there were a couple of things impacting on me. I got a little bit of a negative attitude towards the way the industry had been heading, in terms of streaming and the disappearance of the CD and all that sort of stuff, and I think that coloured my thinking a bit. I grew up in a time when music was like a book on the shelf: you’d go up to it and take it out of its cover and play it, and it just seemed to me that we’d gone down a path where music only exists on the internet, and I didn’t like that idea. And I felt also too that the compensation for writers and artists – and I still do feel – is unfair considering the investment that the companies involved are putting in. I have a very strong view on that. Then I just made a decision that I’m getting back in the saddle – there’s no point being a grumpy old man. Enjoy what you do. So that’s where this album came from.

 

A big part of why I do what I do is that I’d like to help people discover music. I’m really conscious that with so much being available online, discovering people is much, much harder. I suppose I’m curating, to an extent.

You’re curating by your personal taste and I think it’s a really essential role, bearing in mind a lot of my demographic have travelled with me down the years and this whole digitisation of music is a bit of a new thing. They are always still writing, contacting me, saying, ‘I want the CD. I’ll download it as well but I want a CD so I can have that possession in my hand and listen to it whenever I want to.’

 

I think the CD takes on the form of a memento of a show. They might come and see you perform and they want to take something away with them. Whether or not you sign it, it’s that reminder that they’ve seen you.

We’ve just done the opening show for this album and tour, and the CD sales were just amazing. So it’s quite clear that the CD is definitely not a dead medium. Specifically, the people who are also interested in songwriting – they like to get the words on a piece of paper so they can read them. The digital delivery systems, I don’t believe, are providing that and they really should start thinking about it if they want to compete.

 

You mention a few places in the songs on this album, such as the Kimberley frontier – how important is landscape to you?

I think it’s pretty vital. As time has gone on my references are clearly the landscapes that I’m familiar with, and they’re primarily Australian and they’ve changed over a long period of my history. And yet there are areas I’m still discovering. ‘Kimberley Frontier’ only came about because of my friendship with Alan Pigram. We spent a week together over there, just mates hanging out. They [The Pigram Brothers] had a gig up at Derby and I travelled with them. It was just such a joyous occasion – people celebrating their music – that somehow I just had to document that, even just for myself. But obviously it is further reaching that that. It’s a song about the moment and how all these things coalesce to make it a special moment. ‘Black Mountain’ – a real place 20 kilometres or so south of Cooktown [in Queensland]. My first encounter – Don Walker and I were travelling and a few minutes prior to seeing the mountain we were both commenting on how weird we felt, like there was something odd about it. Then we rounded the corner and there’s Black Mountain. After research we found that this is a very, very strong taboo area for Indigenous cultures over many years. It alters compasses on planes and everything. Nothing grows on that mountain. There’s just these massive black boulders and there have been stories of disappearances and various other things. So the mystery of landscape comes in at that level as well. I think in some ways ‘Stay Where You Are’ is a bit about my life – that sense of really knowing a community at a depth and at a level that can only come about by being in that community for a long period of time.

 

Do you have a favourite part of Australia that you like to travel to for yourself or to play in?     

Everywhere. It seems cruel to isolate. I love the different regions. Tasmania is very different to the tropics, where I live. Out west – at the moment it’s dry as hell and we all know these things, but it’s wide open spaces, it’s starry nights, it’s the difference that I enjoy. The tropical Kakadu landscape. The richness and the variety. Australia has so much to offer in terms of images. We can never wear ourselves out exploring it – there’s always something around the next corner.

 

On the song ‘One Life’ you say, ‘Paths I could have taken are mostly overgrown’, and I wonder if there are any paths you regret not taking, musically speaking?

I have a sort of fatalistic view in many ways. When I was a kid I was into BB King, I was into The Beatles and Creedence Clearwater Revival. I could have focused on any of those directions. I bought the guitars and I learnt to play. However, Kris Kristofferson really spoke to me in a really different way. The beauty and simplicity of his lyrics, as opposed to musical grooves, just reached out to the young Graeme Connors. That became, by default, the path, because I ended up touring as an opening artist for him and he, in his inimitable generous spirit, produced four songs for the first album. So that pushed me down the path of country. It’s the respect for the lyric that has mean I’ve found a home in country. Same with musical theatre as well – I love Broadway. Each word is absolutely essential to the last to create this wonderful moving picture, and I treat my songwriting with the same degree of exactitude. Trying to make sure that the ambiguity, if I choose to have it in the song, is purposeful, and normally I don’t. Normally I’m trying to get this as clear as possible. So that’s the country-ness of my work.

 

You mentioning musical theatre makes sense to me – when I listened to your album I thought about how the pieces all fit together. That idea that every word serves the next, it all becomes an overall narrative.

‘The Ringer and the Princess’ is a story song that almost acts out on the stage in people’s heads, and that’s the writing I love. I don’t force myself to do it, that’s what it is. And off this album, ‘Stay Where You Are – I’ve long harboured the desire to put together a stage musical, and between about 2006 and 2010 I was collating materials to do that but couldn’t find the key for the book of the play. And ‘Stay Where You Are’ was the theme of this unwritten play that to do this day I am still hopeful a flash will come to me and this will be how it all comes together.

 

Thinking about Kris Kristofferson supporting you and being in your lineage, are there other artists you feel you have a relationship with who carry on in your lineage?

That’s a really hard question. I listen to as much as I can, in terms of the new writers. I feel a little like the next generation are too heavily processed on an international view and are abdicating their role as image keepers of our culture. Any new writer where I get a place name or anything at all I’m immediately drawn like a compass to their work, to see if there’s something I can do to enhance that or send their way. Brad Butcher is one artist that we have that language. He’s obviously more steeped in Americana than I could ever be, because that has been his reference point, but I do like the fact that there has been other imagery coming through that is uniquely Australian. I’m on the lookout all the time and I think it’s a baton that one would love to pass on, and that is a love and expression of the Australian-ness of country music without it being rinky-tink. We’re an incredible culture and we need to pass that on.

 

I think what you’re talking about is that the specific can be universal, with is a truth of storytelling, and you and Brad both understand that really well. You tell stories with a lot of detail that are not trying to be general, they’re not trying to appeal to an overseas audience, they are telling Australian stories, but in doing that they become universal.

I hope so, because Mark Twain was the master of that – I could read Life on the Mississippi but it was like me on the Pioneer River as a kid [laughs].

 

from the backcountry is out now from ABC Music.

Apple Music | iTunes | Sanity

www.graemeconnors.com

 

 

 

 

 

 

 

Interview: Adam Brand reaches a Milestone

244056-L-LOEarlier this year Australian country music star Adam Brand marked his 20 years in the music industry with the album Milestones20 Years, a collection of hits and fan favourites from those two decades, as well as two new songs. Adam has taken those milestones on the road, and is currently touring the country. I spoke to him in between shows.

Your tour’s only just started.

Well, it’s kind of started. The album just came out but I actually started doing these Milestones shows back in May because I figured it’s not just about the album this year, it’s about the year, the whole year of just the anniversary year, so I started earlier.

Speaking of your anniversary, now 20 years as a performer, I am wondering how that’s possible when you still look 25.

You’re too kind. It might be called Photoshop, it might be called bad eyesight on your part, it might be called, I don’t know [laughs].

But it really seems not possible because obviously you’ve had a long career but 20 years sounds like a very long time when you still are a young man actually.

Sometimes I sort of think about it myself and I go, Wow, where did that go? or Can that really be true? Can it be that long? It’s been an amazing ride and not only that, I started late, I was a late starter.

I don’t believe that.

My first album didn’t come out until I was 28 – [for] a lot of people [it’s] in the early 20s or even teens.

Do you think that was an advantage starting later, because you knew you really wanted it by that age, it wasn’t just a laugh or anything like that?

Yeah, I’d already done an apprenticeship. We had a couple of little business things and worked with different people and travelled a bit, so when I made that decision and thought, Now I want to try this, I went into it without just stars in my eyes, I went into there thinking, Okay, I’m going to have a go at this, I’m going to really, really put everything I’ve got into it, rather than just spinning the lottery wheel.

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Interview: The McClymonts on tour, with plus ones

268x0wThis post begins with my usual disclaimer: I am heavily pro-McClymonts. The trio of sisters originally from Grafton in New South Wales have been lighting up country music for the past twelve years, and I have been a fan for every one of those years. So, with that out of the way, let’s move on to my recent interview with lead singer and guitarist Brooke McClymont. After touring recently with her husband, Adam Eckersley, for the release of their joint album, Brooke is now on the road with sisters Sam and Mollie – and some plus ones in the form of their babies. While touring needs different logistics now than it did 12 years ago, it’s clear that Brooke is just as excited about it as ever. We spoke while the band was waiting to appear on a morning TV show.

 

It’s wonderful to see you all out on tour again but of course touring.

We’re so excited.

 

Touring now requires more logistical planning than it used to because you all have children. How long did it take to plan?

Oh, a good eight months. We like to be organised, because with the kids and we’ve only got one mum that we’ve got to share between us. And our partners all work. So it’s just being organised but it’s something that we love doing and we’re pretty good at it, so we’ve gotten used to it now anyway. We’re just really pumped to get back out on the road.

 

I saw that you and [husband] Adam [Eckersley] took Tiggy on tour with you, so she’s obviously used to the touring lifestyle.

Oh, she’s amazing. We thought, you know, pulling her out of school, we’re going to be those parents … but the teacher said, ‘We encourage you, it’s so good for the kids to get out there and learn on the road’, and she really did, she had such a great time and she got to see what we do for a living. Which is really good.

 

 

Looking at your schedule for your McClymonts tour, you’re obviously going to quite a few places, but are there any places you’re playing that you haven’t been to for a while, so you’re returning to them after absence?

We are doing 22 shows on this one, and there are quite a few that we haven’t done for a while. The Melbourne Palms Crown Casino, which is amazing, that’s such a massive room, the girls and I haven’t done that for a couple of years. We’ve never done Aussie World, which is on the Sunshine Coast. We haven’t done Mackay for a while, and it will be good to get back. And we’re also going to Lightning Ridge, never played at Lightning Ridge ever. We said, you know what, [there are] a lot of places we really haven’t been, and especially being on the road with my hubby and we thought, wow, out west a lot of people can’t get away, and it’s a long way from everywhere. and we thought, Let’s go to them. So we’re really, really looking forward to getting into all these new places that we haven’t been before.

 

The three of you started playing together as children, and on the song ‘Blood is Thicker than Water’ there’s reference made to you all playing guitars. But, of course, only you play guitar in the band now, so who decided who got what instrument?

Well, actually, me, I told everyone because I was the boss back when we were little, so I told Sam and Mollie, I said ‘Sam, you need to play bass, and Mollie, you’re playing mandolin.’ I was a bit of a dictator back then. But they kind of thanked me for it as they got older, because look, they play those instruments now in our band, so it’s paid off. [But] I’m not the dictator anymore. None of us are. We know what needs get done, so it’s a really good balance and I think the older we get – we’ve been touring for 12 years now – we feel like we’re such old veterans, even though that’s not a long time, but, you know, we’ve worked with each other all our life, especially being sisters and working together, we’ve definitely found a work–life balance with each other.

 

I can proudly say that I went to your very first band show at Blazes in Tamworth.

Oh really?

 

Yes. I was at the festival and you’d released your EP and I loved it.

Oh god love you, that’s great.

 

I remember saying to everyone, ‘I’m so excited I’m going to The McClymonts.’

That’s so good. You know what, that EP did really well for us and it kind of set us up in the Australian country music industry, and everyone just seemed to have loved it. We’ve been so lucky and grateful that we’ve been able to continue to do what we’re doing. When we had kids we continued to keep going and make records, and we do pinch ourselves and go, jeez, we’ve got a good job, got a good life.

 

And you’ve created it, I think. It’s consistency and hard work.

I hate saying it’s luck because it’s not. You create your own luck. But it’s definitely been something that the three of us have really worked out, we’ve always been focused on it, we’ve taken pride and cared for our career, and we still are like that today.

 

I concur, as someone who observes your career. Do you need much rehearsal time these days?

Yes. We like to give ourselves a few days, two full days, and usually by the end of it our heads are really sore. But that’s how we like to operate – we like to know that we’re going out putting on a good show for the fans, and I think that’s why people keep coming back because we do take care in the show, especially our songs and making sure that everything’s right because we are bit of perfectionists, the three of us. I think I love about us as well. So yes, definitely every tour we also rehearse with the band. It’s full-on, intense but it’s still fun and that’s the main thing.

 

And for me as a fan a crucial question is always what’s in the set list. Now I know ‘Shotgun’ I think has fairly permanent place on it.

No it hasn’t, we’re not doing it this one either.

 

Oh no!

I know, isn’t that crazy. That’s not making a comeback at all because we feel like we’re going to put ‘Endless’ [there] because of the new album – we kind of replaced ‘Shotgun’ with ‘Endless’. The set for this tour is a pretty up, rocking style, so I’ve got to get fit again because I’ve literally thought, How the hell am I going to last nearly two hours on stage doing what we’re doing? Literally I’m going to have to be like an athlete.

 

And also you all tend to play in heels.

See, that’s another thing that I’m really not good at anymore. I’m getting old now, I hear my knees cracking, but, you know, what I’ll do what I have to do.

 

I don’t think anyone would mind if you wore flats.

Oh good, I pretty much do comfort now, I’m more sensible as I’m getting older.

 

Highly reasonable. Now, are your parents proud of you all or do they take it for granted that they have such accomplished children?

I have no idea. I’m pretty sure they’re proud, but – and you know these days, they want to see the grandkids more than anything and I don’t think they ever talk about us any more, they’re just so excited because they’ve got really young little babies in the family, like Mollie had Elky and Sam’s little man, Wilder, he’s only one, and my daughter’s five, so we’re at that age, at that time in our lives the kids are so awesome to be around. There’s a lot of young kids and it’s just really cool.

 

And, as mentioned, Tiggy’s been on the road with you, but do you think there’s any chance of a McClymonts children opening act? Band?

I have no doubt that there will be, probably at some stage. When you have kids and they turn five it’s amazing. They can do things for you. And my daughter’s such a goody two-shoes too, which is fantastic. I don’t know where she gets that from, Adam or me, but she’s amazing and she’s such a joy to be around and I love it. So I’m sure there will be plenty more times when they’ll be hitting the road with us, for sure.

 

Every time I go to a McClymonts show I see a lot of big smiles around the room, so I tend to think of your job as giving joy to people, but I’m wondering what you think your job is?

It is [that]. I really feel that. I really think that’s such a great way of seeing what we do. You know, whatever people are going through, the fact that they want to come and spend their couple of hours, three hours with us, on the weekend after they’ve had a whatever kind of week they’ve had, either at work or home life, they can escape for three hours and we give joy. Our job is, hopefully, to give people a really fun night out. And that’s the great thing. That’s what I love about it. It’s nice to know that people take the time out to come and see you and give their time. It’s amazing.

 

I think you honour the audience. Every time I’ve seen you play there is a lot of joy in the room and I’ve taken people who don’t actually know your music and they all walk out saying it was fantastic.

Oh good. See, in life that’s all you have to do. If only one person walks away feeling that, you’ve done your job. I mean, actually, if only one person walks away you’ didn’t really do your job, did you? You’ve just played on a whole room! But you know what I mean.

 

I do.

But that’s the aim. We’ve never taken it for granted.

 

I’ll ask you one more question so you can go on TV in good time. Are you working on new material?

Not at this stage. The album came out at the beginning of last year but it’s kind of new for us girls, because the girls all went and had babies. We have to pencil in it in when we need to write together, which won’t be too far off but there will definitely be new music in the works sometime soon. But right now Sam and Mollie have to be mamas and we’re just giving them time to enjoy their babies because they’re not babies for long. And we’re going to be around forever, so we’re making sure we get our priorities right, especially now that the kids are here.

www.themcclymonts.net.au

Tour dates:

SAT 11 AUG        MT ISA MINES ROTARY RODEO   MT ISA, QLD

FRI 24 AUG         GATEWAY HOTEL. GEELONG, VIC

SAT 25 AUG        THE PALMS AT CROWN, MELBOURNE, VIC

FRI 31 AUG         INVERELL RSM, INVERELL, NSW

SAT 1 SEP             CASINO RSM, CASINO, NSW

FRI 7 SEP              CANBERRA SOUTHERN CROSS CLUB, CANBERRA, ACT

SAT 8 SEP             FORBES SERVICES MEMORIAL CLUB, FORBES, NSW

FRI 21 SEP           WESTS NEW LAMBTON NEW LAMBTON, NSW

SAT 22 SEP          EVAN THEATRE – PANTHERS, PENRITH, NSW

FRI 5 OCT             CLUB OLD BAR, OLD BAR, NSW

SAT 6 OCT            THE CUBE, CAMPBELLTOWN, NSW

FRI 19 OCT          NORTHS LEAGUES CLUB KALLANGUR, QLD

SAT 20 OCT         MACKAY ENTERTAINMENT & CONVENTION CENTRE, MACKAY, QLD

FRI 2 NOV            ALEXANDRA HILLS HOTEL, ALEXANDRA HILLS, QLD

SAT 3 NOV          AUSSIE WORLD – THE SHED, SUNSHINE COAST, QLD

FRI 9 NOV            OLD MILL HOTEL, HAHNDORF, SA

FRI 23 NOV         WEE WAA BOWLING CLUB, WEE WAA, NSW

SAT 24 NOV        LIGHTNING RIDGE BOWLING CLUB, LIGHTNING RIDGE, NSW

FRI 7 DEC             YORK ON LILYDALE, MT EVELYN, VIC

SAT 8 DEC            WEST GIPPSLAND ARTS CENTRE WARRAGUL, VIC

Interview: Sara Storer on Cruisin’ Country

StorerCruisin’ Country 8 is taking place in October this year, and features a cavalcade of Australian country music stars. I was fortunate to be able to interview a few of them, including the always delightful Sara Storer. A favourite with fans as well as other artists, she will no doubt be a popular act on the cruise. We spoke towards the end of June, while she was still on the road with The Sunny Cowgirls.

I’ve noticed, looking on your website, you’re doing quite a bit of touring with The Sunny Cowgirls at the moment. And have you toured with them before?

No touring as such. We have done a show together in Tamworth one year. We combined, and it was great fun then. And I’ve always got along with the Sunnies. We’ve done a duet – I don’t know what you call it – a tri-et – a collaboration, I should say, with the Sunnies. So we just thought it was about time. We both sing about similar things, the love of the land, and just thought it was about time we got together and did some shows together. And it’s been a lot of fun, a lot of laughs, but for me it’s just been wonderful to really sit down and listen to their songs, rather than just rushing through albums. When you hear a song over and over, you realise how some people’s writing – it’s just very, very clever. And that’s what I think I’ve got most out of touring with the Sunnies, so it’s been great.

I think that’s also part of the secret of performing a song over and over again. I know for people who aren’t performers, the idea of performing the same song night after night, year after year – you think, well, how do you do it? But I think it is what you say: when the songwriting is a certain way, there’s a lot to discover in that song any different way you hear it.

Absolutely. And some of their lines, you just go, wow, it’s just so clever. They’re very clever with their writing. And they’re the artists that I sit back and probably go, you know, I couldn’t have done that how they did it. To have written it like that. And it’s good, they’re inspiring. So I come away always inspired from the girls thinking – they write a lot of light-hearted, fun, pub songs, and I think sometimes that’s where I lack. And I try to find that bit of inner youth pub fun time inside me, and it never comes out, I don’t know why.

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