Australian-born Canadian country music artist Gord Bamford is back in Australia and joining the Wolfe Brothers and Jody Direen on the Wolfes’ Country Heart tour, in support of his latest album, Neon Smoke. Bamford has won more Canadian Country Music Awards than Shania Twain, and his fan base in Australia grows with each visit. I spoke to him not long before he kicked off his latest visit to Australia at the Deniliquin Ute Muster.
You’re coming to Australia for the Deni Ute Muster and then you’re going on tour, and you taking the Wolfe Brothers with you and Jody Direen. This is obviously now a long association with the Wolfes – what are they like as touring buddies?
Oh, they’re great. They’re just very positive guys and just great people to hang around. Obviously we know how talented they are, so I just feel really lucky to be able to kind of ride on their backs and into their fan base and be with them. Lee [Kernaghan] has been really good to me, and we’re going to try and get the Wolfe Brothers over to Canada too, to return the favour. That’s the thing, you just never know what’s going to happen. We’re not genies in a bottle, but if we can put each other in front of a fan base, give each other an opportunity to play our music, and you just never know, it’s been really good for me in Australia.
I know you brought your own band last time, but when you come out this time, are the Wolfes going to act as your band or will have your band with you?
I’m actually bringing my band again this time. [Manager] Steve [White] has been looking around, this will be the last time I do bring my band. I feel it’s important to use musicians that are Aussies, so we’re going to hire our own band in Australia, because I’m going to be coming back there a lot and I really want to dedicate my time in that market. And obviously I was born there, and have a lot of family there, and I want my family to come over and experience it some more. But this time, our band is coming from Canada and it will be great, it will be fun.
Continue reading “Gord Bamford joins the Wolfe pack”
Josh Taerk is a Canadian singer-songwriter who was playing a show in his home town, Toronto, when he was spotted by Max Weinberg, the drummer for Bruce Springsteen and The E Street Band. Impressed, Weinberg invited Josh to open for him at his sold-out show. That was in 2010, and since then Taerk has been writing, recording and performing – and steadily building his following. He released his debut album in 2013. He then set to work on his second album, which was recorded in Nashville.
His latest single is ‘Learning to Let Go’, which is about taking leaps of faith – and not getting in your own way. Taerk certainly knows how to write a pop hook and layers that into a country-rock sound, and he has a great voice, so this is a song that has my favourite combination: it’s meaningful and entertaining.
Watch the video for ‘Learning to Let Go’ on YouTube.
The core of this Montreal band is, fairly obviously, the Barr Brothers, Brad and Andrew, who are joined by harpist Sarah Page. The band’s folky sound initially seems to be not constrained so much as modest: there are no fancy tricks here. No doubt that’s because they’re not needed. The sound relies very much on the instruments, which are lovingly, crisply and expertly played, with the vocals floating over them. And it is to those instruments that the listener’s attention keeps being drawn, not just because of how they’re played but because of the attention to detail in the production: each of the individual sounds are so clean that it’s possible to get lost inside each song, following each instrument, only to realise you need to go back and listen to the song again to listen to a different instrument … and on it goes until you can sit back and realise that, for all the individuality, the songs cohese very, very well.
It may be self-evident to say that Canada has a rich, diverse music community – which country doesn’t, really? But there is so much very good, if not excellent, Canadian music that seems to belong to a certain genre yet really plays with the boundaries of it. Call it an ingrained national trait of curiosity. There is also a strong tradition of storytelling, and it’s one of the few places on the planet where a fiddle player can rise up the charts just as easily as a pop singer.
The Barr Brothers draw on those characteristics of Canadian music: they are telling stories not just in their lyrics but also through how these songs are played, offering a very well-rounded, fulfilling experience for the listener that demands you listen again and again, because there are all sorts of nooks and crannies in these songs, not to mention twists and turns. And so many jewels, too, waiting to be found.
Queens of the Breakers is out now through Secret City Records.