When Victorian singer-songwriter Nathan Seeckts released the single ‘Old Blood’ from his new album, The Heart of the City, it was clear the album itself would be special – and so it has proved. Seeckts has an incredible voice and an attention to detail in his lyrics that make for a rich listening experience. He’s also incredibly knowledgeable about country music, as the host of ‘Last Night in Town’, a weekly radio program on Victorian community radio station 94.7 The Pulse that focuses on Americana and alt-country. I spoke to him recently.
Congratulations on the album, which is wonderful.
It’s a nice feeling – a feeling I haven’t had before. it’s a bit unexpected. I didn’t know whether I’d be in this position, to be honest. As a solo person you can do the EPs, but I didn’t know when I’d be in a position where I could say, ‘Yeah, I’ve got an album coming out,’ let alone on vinyl and all the rest of it.
And vinyl is a commitment, over and above everything else you need to do to put out an album these days. Why did you make that decision to do a vinyl release as well?
I’m a vinyl junkie, honestly. I probably spend a little bit too much of my money on records. But it’s living in an age where the CD’s on its last legs, maybe. I like the idea of having something in your hand while you’re listening to music and you can read about where it was recorded and who was on that track.
Technically this is a debut album, as mentioned, but you do have those three EPs behind you so it sounds like a really mature work. Did you find there was a lot you learnt through the process, not just of writing those EPs but, I imagine, producing them as well? Since you co-produced this album.
It came down to funds when I first started. I was self-taught on a copy of ProTools on a computer that I’d built. That was part of the writing process and the recording process was trial and error. The third EP, my wife and I went over to the States for a honeymoon in 2016 – that would have turned into an album had we stuck around but I wanted to take something with me. And you do learn a lot by doing it yourself. That’s why I wanted to share the producing role with Roger [Bergodaz] with the album.
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